Open House is a short speech and movement score for 10-60 people. Using verbatim text from the national parliament it makes a game of the metaphors of political debates. If political speech is used to choreograph citizens, can that state-wide choreography be applied to a small crowd? And how might that crowd start to take control?
Dance artists Gillie Kleiman and Karen Lambæk write about how they worked with another form of solo public speaking in their choreography.
In 2012 we made a diptych of dance performances working with comedy as a starting point. The first of these works, Double Act, began with the stand-up comic in mind.
Speeching is a project to find different ways to understand political speeches, not just with our eyes, ears and brains, but by using all of our bodies.
Speeching comes from a wider interest of mine in understanding democratic politics from the perspective of the body – what actually happens physically when we vote, when we demonstrate or when we sign a petition? Perhaps by understanding – or even changing – democratic politics at this level we can find new ways of doing things before we can think of them rationally.